

'Azzahar' too keeps things pleasantly soporific with its gentle pace and lilting guitar refrains, and then 'Middle East Manners' rounds this excellent trio of EPs out with a beautifully realised swirl of sounds that find focus once a kick drum starts pulsing and the percussion starts building. 'Timeless Vibe' continues where the last release left off, building up a wonderfully cosmic bed of processed melody under which casual hand played percussion and warm bass notes can linger. Review: The third outing for Modern Manners emerges on the back of two very strong 12's that introduced this anonymous outfit to the world. Set against these endless arp-loops, is HOLOVR, raising a more focused consciousness that is a perfect counterpoint.įile under Tropical, Balearic, beach sounds. This is music to get lost and at the same, get found in. A looping realisation, music inside music, thresholds expanded, connecting the centre, a place, origin, a soul that allows a devout expression to exude and find mediation in sound.

Recorded live at Dublab Radio's 'Tonalism' event at Sonos Studios, the piece utilises Critter & Guitari Pocket Piano, Hulusi Flute and Ableton Live to create movement, fade and sequence. Here performing in most his recent incarnation, Matthewdavid's Mindflight - having just released the wonderful Trust The Guide And Glide double album opus - is Sonos. As Leaving Records founder he has a prominent role is shaping the cities sound that has seen him work with Sun Araw, Laraaji and a myriad of the label's roster. However, it was his association with Tropical Hi-Fi (SchleiBen 3) that first attracted the label's attention to dig deeper in to his developing sound. Typical of the chill-out movement of the period, the mini album's five tracks effortlessly join the dots between ambient dub, psychedelic late night techno, drowsy downtempo grooves and horizontal instrumental synth-pop, with the duo peppering each production with trippy or amusing spoken word samples, intricate melodies and copies amounts of dub delay.

Champagne in Mozambique was the debut release from Ingleton Falls - AKA lesser-known producers Andy Eardley and Andy Seymour - and remains a laidback, saucer-eyed delight. Review: Isle of Jura's latest deep dive into electronic music's margins focuses on an obscure, previously cassette-only release from 1993. Clocking in at well over ten-minutes and blessed with one of the strongest synth basslines you're ever likely to hear, the Stafford producer brilliantly plays around with delay-laden piano and vocal snippets throughout. While naturally superb, it's the flipside Emperor Machine dub of Paqua's 'Ruby Running Faker' that's really got us in a spin.
